With a strong visual aesthetic and a knack for using vivid, often horror-themed imagery as a metaphor for real-life issues, there’s a definite line to be drawn between MCR and New Years Day. Ash Costello also experienced a fangirl moment when she got to work with Gerard and Ray Toro. She told Alternative Press, “When Gerard started calling me by my name, it was a really cool moment. I was like, ‘Oh shit! He knows my name!’ So I’d be recording and I’d hear him be like, ‘Yeah, Ash will be able to hit this note fine,’ or, ‘Ash will be able to wail on this part,’ and I’m just sitting there like, ‘Oh my God! He’s talking about my voice!’”