“We all have immigrant parents, and they were like, ‘What did we come to this country for? We didn’t do it for you to play in your little band!’” Ashrita remembers.
They had another difficulty in trying to convince their folks of the viability of Pinkshift: they couldn’t show them the size of the rooms they were selling out, because no gigs were happening at the time. As a replacement, their numbers on socials didn’t have quite the same awe-inspiring effect.
“I don’t regret the decision [to pursue music], but I was definitely in a spot where I felt like a fucking loser,” admits Ashrita. In spite of Pinkshift’s initial struggle, however, they would grow to realise that popping off during the pandemic had its advantages.
“We didn’t have to do as much of the hard stuff, like dealing with people who weren’t interested in us,” the singer continues. “Even though it made us feel a little fake for not having had [to encounter] that, we were hustling our shit in a different way by doing it online.”