“What we wanted to do with these albums was to go back to being a band again,” Billie Joe said in July 2012. “It’s been a while since we’ve done that, and to hear the results played back to us has been pretty amazing. It’s been like, ‘Really, we fucking rock.’”
It was all sounding very positive. In fact, he even stated, “The band is in a better place now than at any point since we first got together.”
Less than two months later, however, that couldn’t have been further from the truth. Though an electrifying visit to the UK – including an intimate headline show at London’s O2 Shepherd’s Bush Empire, and a ‘secret’ set at Reading Festival – kept up appearances, Billie Joe would later confess that his manager had urged him to scrap these plans and check into rehab to help him combat his private battle with addiction.
A not-so-perfect storm followed for the frontman: a family bereavement, and then a pummelling press schedule. Couple that with hundreds of tour dates rapidly filling up the band’s calendar, prescription drugs to help with his ongoing anxiety and lack of sleep, and a bout of excessive alcohol consumption, and it all culminated in a disastrous onstage meltdown, just three days before ¡Uno!’s release.